
A visually vibrant and narratively textured film, Nwosu’s LADY is a study in contrasts

Josephine is a psychological thriller from writer/director Beth de Araújo that earns its Audience Award at Sundance from every angle

Dylan O’Brien makes mistakes with his life when he disrespects Rachel McAdams in Sam Raimi’s SEND HELP – First Reactions

Jason Statham goes into protective mode but that may be the only good part of the film.

Jason Momoa and Dave Bautista play two feuding half-brothers who have to solve their father’s murder… if they want to see tomorrow.

In a dystopian near future, defendants have 90 minutes to prove their innocence. A police detective, accused of murdering his wife, finds lies and buried crimes on his search for the truth.

The Rip is a tight, Heat-inspired crime thriller fueled by Damon & Affleck’s chemistry, escalating mistrust, & a killer central shootout. One of Netflix’s strongest genre films in a while.

Rita is a survivor. Keiji is ingenious. All they need is to kill the giant alien flower Darol in the anime feature All You Need Is Kill from GKIDS

Gus Van Sant’s Dead Man’s Wire uses a 1977 hostage crisis to explore rage, class anxiety, & desperation. Bill Skarsgård is gripping, with Dacre Montgomery adding real emotional weight.

People We Meet on Vacation is better than almost every Netflix rom-com.

Deceptions circle the truth in the twisted love and psychological thrills of HIS & HERS, where every story has at least two sides (and someone is always lying)

The Anaconda reboot works by embracing comedy. With Paul Rudd and Jack Black, movie-nerd jokes, and purposeful silliness, it becomes one of the year’s most pleasant surprises.

The Housemaid is a deliciously addictive watch. More Amanda Seyfried, please.

James Cameron’s Avatar: Fire and Ash delivers jaw-dropping spectacle and emotional depth, turning Neytiri into the franchise’s true hero while proving Pandora is still unmatched on the big screen.

George Clooney delivers a career-best performance in Noah Baumbach’s Jay Kelly, a quiet, moving meditation on fame, ambition, and the personal costs of movie stardom.

You will either love or hate Ella McCay, but it’s aggressively average.

Five Nights at Freddy’s 2 offers kid-friendly horror with deeper lore, darker visuals, and strong performances. Fans and younger viewers will enjoy this intense, story-driven sequel.

A tender, introspective drama where Will Arnett delivers a career-best performance as a man rediscovering himself through heartbreak, stand-up, and solitude.

The New Yorker at 100 follows editor David Remnick and his team in the fall of 2024 as they plan and execute the magazine’s seminal 100th anniversary issue.