
Before the literati and cinephiles go into a feeding frenzy, allow Sherin and Julian to prepare you for the dazzlingly demented doom spiral of “Wuthering Heights”

Since our “Wuthering Heights” review is incoming tomorrow, we’re taking you back to our first Emerald Fennell experience, Promising Young Woman. Yes, experience is the right word.

Charli XCX turns brat summer into a critique of fame itself. The Moment explores pop stardom, corporate pressure, and artistic compromise with style, anxiety, and sharp satire.

If I Go Will They Miss Me is a mythic meditation on fathers, sons, and the quest to break free of generational trauma.

A visually vibrant and narratively textured film, Nwosu’s LADY is a study in contrasts

Josephine is a psychological thriller from writer/director Beth de Araújo that earns its Audience Award at Sundance from every angle

Dylan O’Brien makes mistakes with his life when he disrespects Rachel McAdams in Sam Raimi’s SEND HELP – First Reactions

Jason Statham goes into protective mode but that may be the only good part of the film.

Jason Momoa and Dave Bautista play two feuding half-brothers who have to solve their father’s murder… if they want to see tomorrow.

In a dystopian near future, defendants have 90 minutes to prove their innocence. A police detective, accused of murdering his wife, finds lies and buried crimes on his search for the truth.

The Rip is a tight, Heat-inspired crime thriller fueled by Damon & Affleck’s chemistry, escalating mistrust, & a killer central shootout. One of Netflix’s strongest genre films in a while.

Rita is a survivor. Keiji is ingenious. All they need is to kill the giant alien flower Darol in the anime feature All You Need Is Kill from GKIDS

Gus Van Sant’s Dead Man’s Wire uses a 1977 hostage crisis to explore rage, class anxiety, & desperation. Bill Skarsgård is gripping, with Dacre Montgomery adding real emotional weight.

People We Meet on Vacation is better than almost every Netflix rom-com.

Deceptions circle the truth in the twisted love and psychological thrills of HIS & HERS, where every story has at least two sides (and someone is always lying)

The Anaconda reboot works by embracing comedy. With Paul Rudd and Jack Black, movie-nerd jokes, and purposeful silliness, it becomes one of the year’s most pleasant surprises.

The Housemaid is a deliciously addictive watch. More Amanda Seyfried, please.

James Cameron’s Avatar: Fire and Ash delivers jaw-dropping spectacle and emotional depth, turning Neytiri into the franchise’s true hero while proving Pandora is still unmatched on the big screen.